Miss Cellaneous

Same handle across the board, basically: Find me by my username on other social network sites and at a certain large email provider starting with G.

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Posts tagged "natasha romanov"

ao3feed-stevenatasha:

read it on the AO3 at http://ift.tt/1kxn1Yn

by

aka Team America’s Excellent Adventure: wherein Natasha Romanov kicks off a road trip and talks about her feelings, Steve Rogers moves back to Brooklyn and learns to kiss (and talks about his feelings), Sam Wilson takes a sabbatical and…

Haven’t had time to read this yet BUT IT IS ROMANOGERS!

(via veji)

The price of freedom is high; it always has been. And it’s a price i’m willing to pay.

(via idrilka)

There’s a chance you might be in the wrong business, Rogers.

(via idrilka)

kiliansswan:

give me your closet: natasha romanoff.

(via atwellling)

xromanogers:

Again, MARVEL just decided to blow my mind away.

In CA: TWS, Steve’s scene happened first with him going to Peggy’s nursing home and being troubled by the whole manipulation that SHIELD made. Knowing that he’s out of it, Peggy decided to ask him what was wrong which ended up with him spilling about how he’s unsure about everything in the world right now. Steve Rogers is a man out of time, still trying to find himself in this 21st century. In the 1940s, nothing was this complicated; what was right, was right and what was wrong, was wrong. Now, everything is just a dark shade of grey where everything that is right is justified as something that could be wrong and what is wrong is justified as something that could be right due to certain reasons.

 His morals has been compromised and because doing what is right has been always his life goal, he’s unsure what to do now like a puppy lost, without any sense of direction. So he confides in Peggy, who at least, for a short period of time, is not disturbed by her disease.

“The world has changed and none of us could go back. And sometimes, the best that we can do is to start over.”

I just can’t help but distinguish the fact that when both of them were crashing in Sam’s house, here Natasha is, doing what Steve was doing awhile ago with Peggy.

Steve knows that Natasha is troubled with something; heck, he probably knows that it’s all because of Hydra. But he decided to ask her anyway with a “What’s wrong?”

The determination in his voice to find out what was bothering her shook her from her thoughts and she questioned if it was okay to admit to him about her fears; all of her identity has been compromised.

Natasha was a ruthless, graceful and deathly woman. However, take that suit and emotionless mask away and she’s just a fragile human being who was forced to train in the KGB and to put those feelings aside. She’s not used to confrontations that involves her personal feelings or thoughts. It has always been her receiving orders and acting out according to it.

 Joining SHIELD, she was making amends for her red in her ledger, not trying to add more red to the ledger. But now that SHIELD was known as Hydra, what was she supposed to do? She already had trust issues, but now the company she was working for ended up as a deathtrap.

But with Steve, maybe over the course of their breakout and everything, she realized that he was trustworthy enough. So, she decided to open up to him even if it was hard in her place for she still can’t comprehend the fact that all this time, SHIELD was actually Hydra in disguise.

Never has Natasha appear so weak, so defenseless. All she is is stripped bare and even if she can’t admit to herself, she realized she has to and maybe the easiest way is to admit it to someone else and hear herself say it so that she could believe it.

And maybe that was the same for Steve as well, to accept that indeed, the world has changed and nothing is ever the same anymore.

(via idrilka)

mikes-grrl:

So I’ve been sitting on this gifset for a while, trying to think of how I want to parse this.

Maybe I’m following the wrong blogs, but I just do not see enough meta about Natasha’s story arc in this movie. This scene here is, to me, one of the three critical moments for Natasha that are the reasons she ends up being the one to release all of SHIELD’s data to the world.

As follows (quotes paraphrased as I don’t have the script):

  1. The first critical moment comes on the Lemurian Star, right after Batroc throws a grenade at her and Steve. They end up sitting on the floor and she says, “Okay, that one’s on me” and Steve replies “Damn right it is.” Her reaction to that isn’t disdain or frustration with Steve, it’s very clearly a form of disappointment — she’s upset with how Steve views her, his opinion of her. Sure, I’m reading a lot into that expression, but I think it is pretty masterful of ScarJo to show that side of Natasha in such an ambiguous way. The take-away here, however you want to describe it, is that Natasha’s unhappiness has less to do with being nearly blown up than with her working relationship with Steve. He doesn’t trust her, and that burns her.
  2. The above gif’d scene, where it’s clear that she’s pretty shocked and upset to hear Steve admit that previous to their current situation, he would NOT have trusted her. It’s a blow for her to realize just how she’s been perceived by those she’s given her complete trust and faith to. 
  3. The scene where Fury’s survival is revealed is the final one, where Natasha reacts as if to a body blow when she realizes that Fury didn’t trust her, but he did trust Maria Hill. Earlier when he was “dying” it was clear that she’s somehow emotionally attached to Fury, and whatever reason you want to concoct for that, the fact is that she clearly believed that he did trust her…but he didn’t. My opinion of her reaction shot at the reveal is that she’s not angry about it, she’s heartbroken.

What I believe this all points to is really well reflected in her line to Steve, “I don’t know everything, I just act like I do” (paraphrased), and then reiterated in the truck ride where she talks about being the person she needs to be, as opposed to who she is. 

In other words, Natasha is so good at being “whatever you need me to be” that it is exactly what the people who know her best expect of her, and accordingly don’t feel like she’s trustworthy because they don’t know the “real” her. Meanwhile she has been operating on the belief that they do know the real her and so therefore do trust her. 

It’s like…a double blind situation, where both parties aren’t privy to the truth, even though they think they are. Everyone up to and including Fury “knows” that Natasha is a spy and nothing she says can be trusted; Natasha “knows” that the people she trusts see through that mask and trust her in return because they know the real her. She goes around in this movie constantly surprised and disarmed by the fact that her closest friends/co-workers doubt her loyalty. 

So in the end, when Pierce is asking if she is ready for her past to be revealed, she is so fucking ready it hurts. She knows it is the right thing to do, but putting that on top of the experiences given above, it’s easy to see that she felt she had to do it for herself too. 

Can she be trusted? You’re damn right she can, and she was willing to burn down her entire world to prove that fact to the very people she thought knew it already.

(via idrilka)

So I’ve decided fandom will forever be confused about Natasha’s name. Not, uh, coincidentally, comics writers have been confused about it for even longer. The tricky bit is this: Natalia and Natasha are both forms of the Russian name Наталья. The Natalia/Natasha equivalency doesn’t exist in English, leading to all kinds of tail-chasing confusion re: which is real and which is fake. Natasha is a diminutive form of Natalia the same way Bill is for William. “Natalia” is not more authentic or more Russian, it’s just a bit more formal. And “Natasha Romanoff” is not an alias the way “Nadine Roman” or “Nancy Rushman” are. The Romanoff/Romanova issue is just a question of transliteration. The Russian surname is Рома́нов, which is written as Romanoff or Romanov depending on your history book. Traditionally, Russian ladies take feminine endings to match their grammatical gender— Ivan Belov becomes Yelena Belova, Aleksandr Belinsky becomes Aleksandra Belinskaya. But the feminine endings often get dropped in English translation, e.g. Nastia Liukin, not Nastia Liukina. It’s a matter of preference. If that’s too confusing, don’t worry, until about 1998 the comics had no idea what they were doing either. Natasha’s name has been Natasha since her very first appearance, where she and her partner Boris Turgenev were the butt of the obvious joke. Her last name wasn’t revealed until the early 1970s. Yeah, she went through a whole solo series without getting a last name. Weird, but it took dozens of issues for Hawkeye to get a first name. Romanoff: a name no one knows or knew. At the time, Natasha was being written as an aristocratic jet-setter, a glamorous countess. Since Romanov is the most famous Russian surname, and superhero stuff isn’t codenamed subtlety, I figure Gerry Conway just went with what he knew. And so Natasha Romanoff was her name through the 1970s. Instead of “Miss” or the Danvers-ian “Ms.”, Natasha used “Madame”, contributing to that Old World mystique and invoking feelings of a boudoir. By 1983 someone on staff realized that Romanova might be more technically correct. (Might being operative, here, the best way of translating the feminine endings is still debated.) Anyway, her Official Handbook to the Marvel Universe page listed her as Natasha “Romanoff” Romanova. The next big change would occur when someone, and I’m thinking it was Chris Claremont, realized she was missing a patronym. A full Russian name has three parts: the given (first) name, the patronym, and the family (last) name. For example, Grand Duchess Anastasia, the one who had that Bluth film, would be formally called Anastasia Nikolaevna Romanova, or Anastasia “Daughter of Nicholas” Romanoff. Her brother, the Tsarevich Alexei, was Alexei Nikolaevich Romanov, or Alexei “Son of Nicholas” Romanoff. Basically: everyone in Russia has a middle name, and it is their father’s. I think it was Claremont who realized Nat’s was lacking because he is a phonetic accent wizard and an expert on Piotr Nikolaievitch Rasputin da tovarisch. Also, because the first time I could find a patronym for Natasha was in a 1992 issue of X-men that he wrote. The weird thing about Alianovna is that it would mean her father’s name was Alia or Alian or something else not really common. Maybe that’s why Kurt Busiek, continuity repair man, pretended it was something else in his Heroes Return Iron Man run. Ivanovna, or daughter of Ivan, is a much more common patronym and also meshes with her backstory. But it didn’t stick. Everyone and the guidebook uses Alianovna. What did stick was Natalia. Yeah, this is the first comic I could find that uses Natalia, and you can tell by context that Busiek’s using it to emphasize formality. When talking to Tony, she calls herself Natasha, when declaring her total identity before an epic beatdown, she takes the “my name is Inigo Montoya” route. From the late nineties forward Natalia started popping up with some frequency, usually in formal or impersonal contexts. Yelena speaks of “Natalia Romanova” as the Red Room’s greatest legend, Natasha demands that the he-was-evil-all-along Ivan Petrovich address her without the diminutive. There are exceptions. I figure some writers check wikipedia, see her name listed as “Natalia” and decide they’ve done their homework. Daniel Way has Logan refer to Natalia, his surrogate daughter, completely bizarre for the quasi-familial relationship and for the nickname-happy Wolverine. Brubaker had Bucky refer to her as Natalia, at first— an odd distancing from a previously intimate relationship. Since they’ve gotten back together, though, he uses Natasha, or Nat, or ‘Tasha, or in any case, he’s dropped the formality.

theheirsofdurin:

-hewastheirfriend:

ok so i was watching this gif carefully

image

and when i first saw it i was like “aww Nat jumping into steve’s lap that’s so cute she’s like AHH STEVE SAVE ME” and then i was thinking ‘well she probably realized he’s way stronger than she is and…

hOLY SHIT  NATASHA ROMANOFF

(via steviebucks)

veji:

If you do this none of your past is going to remain hidden. (extended scene)

So, here you answer: Budapest was a mission, a very dark and serious mission. Mostly seen like a dark mission considering what Pierce is implying and that SHIELD was Hydra D:

#natasha romanoff